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(0)Nicholas Rombes
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Summary
Have digital technologies transformed cinema into a new art, or do they simply replicate and mimic analogue, film-based cinema? Newly revised and expanded to take the latest developments into account, Cinema in the Digital Age examines the fate of cinema in the wake of the digital revolution. Nicholas Rombes considers Festen (1998), The Blair Witch Project (1999), Timecode (2000), Russian Ark (2002), and The Ring (2002), among others. Haunted by their...
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In an era of rapid transformation from analog to digital, how can we write about cinema in ways that are as fresh, surprising, and challenging as the best films are? In 10/40/70 Nicholas Rombes proposes one bold possibility: pause a film at the 10, 40, and 70-minute mark and write about the frames at hand, no matter what they are. This method of constraint-by eliminating choice and foreclosing on authorial intention-allows the film itself to dictate...
3) The Removals
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Is it still a revolution if no one notices it happening? The Removals is a spellbinding new work, part-thriller, part-nightmarish analogy for the wormhole where modern social communication leads.
