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Author
Summary
Seth Grahame-Smith delivers the definitive, essential guide to making it through a horror movie in one piece. As hilarious as it is useful (if you're trapped in a scary flick, that is), How to Survive a Horror Movie covers all the bases. Trapped in a haunted house? Check. Stalked by an evil doll? Check. Wandering aimlessly through the remains of the old world as a plague of zombies sweeps over the planet? Check. Grahame-Smith's delightfully gruesome...
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A comprehensive introduction to the history and key themes of the genre. The main issues and debates raised by horror, and the approaches and theories that have been applied to horror texts are all featured. In addressing the evolution of the horror film in social and historical context, Paul Wells explores how it has reflected and commented upon particular historical periods, and asks how it may respond to the new millennium by citing recent innovations...
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"Whether through a movie, television show, novel, or even myth, horror as a genre has always spoken to our deepest human fears and anxieties: fear of death, of the unknown, of knowing too much. Whether you're looking at classic narratives like Frankenstein, which shows us the consequences of stretching knowledge farther than it's safe to go, or contemporary films like Get Out, which explores racism and white guilt, horror provides a window into our...
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"Horror movies can reveal much more than we realize about psychological disorders--and clinical psychology has a lot to teach us about horror. Our fears--mortality, failure, loneliness--can be just as motivating as our wishes or desires. Horror movie characters uniquely reveal all of these to a wide audience. If explored in an honest and serious manner, our fears have the potential to teach us a great deal about ourselves, our culture, and certainly...
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Very short introductions volume 676
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Four o'clock in the morning, and the lights are on and still there's no way we're going to sleep, not after the film we just saw. The book we just read. Fear is one of the most primal human emotions, and one of the hardest to reason with and dispel. So why do we scare ourselves? It seems almost mad that we would frighten ourselves for fun, and yet there are thousands of books, films, games, and other forms of entertainment designed to do exactly that....
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"Nightmare Fuel by Nina Nesseth is a pop-science look at fear, how and why horror films get under our skin, and why we keep coming back for more. Do you like scary movies? Have you ever wondered why? Nina Nesseth knows what scares you. She also knows why. In Nightmare Fuel, Nesseth explores the strange and often unexpected science of fear through the lenses of psychology and physiology. How do horror films get under our skin? What about them keeps...
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A revealing, intimate documentary from veteran actor-insider Ruben Pla, THE HORROR CROWD spotlights the Hollywood horror community, covering such wide-ranging topics as Women In Horror, Race Relations, Being The Weird Kid, Sparking The Imagination, Helping Each Other, Film Festivals, and The Dark Side.
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Delving into a century of genre films that by turns utilized, caricatured, exploited, sidelined, and finally embraced them, this documentary traces the untold history of Black Americans in Hollywood through their connection to the horror genre. Adapting Robin Means Coleman's seminal book, this will present the living and the dead, using new and archival interviews from scholars and creators; the voices who survived the genre's past trends, to those...
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"The roots of modern horror are found in the First World War. It was the most devastating event to occur in the early 1900s, with 38 million dead and 17 million wounded in the most grotesque of ways, owing to the new machines brought to war. If Downton Abbey showed the ripple effect of this catastrophe above stairs, Wasteland reveals how it made its way into the darker corners of our psyche on the bloody battlefield, the screaming asylum, and desolated...
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When Lieutenant Uhura took her place on the bridge of the Starship Enterprise on Star Trek, the actress Nichelle Nichols went where no African American woman has ever gone before. Yet several decades passed before many other black women began playing significant roles in speculative (i.e. science fiction, fantasy, and horror) film and television--a troubling omission, given that these genres offer significant opportunities for reinventing social constructs...